These Shoes Are Made For...
Exploring gender roles and expectations from girls and women in Bosnia and in the novel
Key Learning Objectives: Encourage students to think how are gender roles shaped by family, words, tradition, and contexts in which they live and what does it mean to be a woman/ Transforming the chapter The Family of Little Feet into the stage performance
Essential Questions
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What does it mean to be a woman?
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How are gender roles shaped by family, words, tradition, and contexts in which we live?
Created by: Valentina Vidaković
Time
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95 minutes (45 + 50 minutes)
Chapter Focus
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The Family of Little Feet (p. 39
Strategies Used
Age Group
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Ages 15
Materials
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Paper
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Flipchart
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Tape
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Markers/pens
These Shoes Are Made For...
Lesson 1 of 2
WARMING UP ACTIVITY
CHECK-IN (10 minutes)
At the beginning of a work session, invite students to offer brief, individual responses about how they are feeling (physically/ emotionally). Begin by establishing expectations for the activity: Each person in the circle will have an opportunity to share some information about themselves at the beginning of our work.
Give an open-ended prompt (e.g. “Today I am feeling…because…” or ”Today I am excited about because…”) and clear instructions on how much time students can take to verbally share their answer (unlimited to 15 s, potentially shown on a visible timer). Next, give a small amount of thinking time for students to consider their responses. Begin with a student who volunteers to go first. When the student is finished, they say ''Check-In'' to complete their turn. Encourage students to listen intently to their colleague's words. Allow students to check in using a physical gesture instead of words (e.g. thumbs up, thumbs side, thumbs down)
Very limited (or no) commentary is offered from the teacher or other students after each individual Check-In. The teacher may choose to offer a simple acknowledgment. For example, “Thank you” or “That is good to know. I will keep that in mind today.”
Reflection:
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How is our group, generally, feeling today? What are we most excited about?
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What larger things around us are shaping how we feel?
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How might this information inform how we work together today?
ENGAGE
COVER THE SPACE (15 minutes):
Invite students to silently move across the open space or classroom without talking or making contact with any of the other participants, not even eye contact. Ask them to notice their walking pace and to consider the pathways they are making. During the silent walk ask them to – stretch their arms, then reach for the ceiling, then shake their hands, and then their legs. After that, ask them to continue walking silently and to pay attention to their shoes/snickers and to think about some details related to it – Where, When, Why did they choose it/What do they like it/ If their shoes could talk, what would they say about places that they’ve visited.
Give students at least two minutes to do that silently. Tell them that when you say STOP they will find the closest person and start a conversation with her/him by sharing their. Repeat it one more time (walk/ stop).
Then ask them to walk again and while walking to think about some of the situations from childhood when they:
1. Were not allowed to buy certain shoes or sneakers because they were not for girls - shape, color;
2. Didn’t want to wear certain clothes because they were not for girls- color, shape;
3. Who told them what is for girls and what is not (behavior, attitude, games);
4. How did they learn what is for girls and what is not.
After two minutes ask students to make a circle and to share their answers/ thoughts/stories. At this moment you can use a small ball and explain to students that by throwing it they invite each other to share stories. Students are free to ask that the ball is thrown to them.
Reflection:
What did you notice about yourself in this exercise? What did you notice about the group?
What did you notice in your body as you walked around space?
What did you discover about yourself and others while you were thinking/sharing childhood memories?
Transition: At this moment, tell the students what is an essential question of the workshop and that they are going to explore it through a chapter called The Family of Little Feet. In the next strategy, we will develop and dive deeper into the chapter.
ROLL ON THE WALL (20 MINUTES)
FIRST STEP: While students are still standing in a circle, ask them to re-read the chapter. Let every student read a few lines aloud. Looking at the person standing next to him/her they will give a sign to the next person to continue. Before they start reading, ask them to pay attention to questions that you can write on the flipchart or whiteboard.
Questions are:
1. What part of the chapter do you remember the most?
2. What part of the story was not clear?
3. What kind of details do you notice? What kind of details will/could drive the attention of audiences?
SECOND STEP: After reading and talking about the chapter based on the questions, divide students into small groups. Ask them to identify the main characters. Students can name GIRLS-all of them- as the main character, or they can name each character (Esperanza, Lucy, Rachel). Adjust your task to this.
Draw a large outline of Esperanza/or Lucy/ or Rachel/ or GIRLS (e.g. head/shoulders or human figure) on paper; leave plenty of space to write inside and outside the figure. Invite the group to name words, phrases, or messages that E/or L/ or R/ or G receive externally, from the people on the street in this chapter. Write responses on the outside of the figure. When a message is offered, invite students to think about where it comes from. Connect messages to the messenger visually on the paper through color or line and encourage students to find multiple answers. Types of responses can also be grouped on the paper (for example: positive on one side of the figure, negative on the other) to provide further visual organization.
Next, ask students how E/L/R/G might feel inside, based on the outside messages, and write those feelings on the inside of the figure with another color. Finally, ask students to connect specific "outside" messages to the inner feelings, and draw lines between those connections on the figure.
Reflection
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What messages impact characters the most? Why?
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What do they feel about that? How did their feelings change?
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Why do they say, “Today we are Cinderella”?
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Why did they give up on wearing high-heels?
During the reflection, write students' answers on a paper/ flipchart or a whiteboard. All their drawn and written work tape on the wall of the classroom together with the reflection answers.
These Shoes Are Made For...
Lesson 2 of 2
What does it mean to be a woman?
ENGAGE
WRITING PROMPT (15 minutes)
Ask participants to respond to the following prompt:
In society, women are expected to...
Provide participants with paper, pens/markers. Give every student a piece of paper, pens/markers and explain to them that they need to:
1. Generate as many responses to the prompt as you can in eight minutes. Think about all the things you think women are expected to do/say. What are the messages from society about what it means to be a woman, what it looks like to be a successful woman, and who gets to be a woman? Focus on your personal life experience, do it individually.
2. Write next to responses/"expectations’’ your feelings about that. You can use a different color of pen.
If you as a teacher/mentor notice that students are struggling, not writing, this list could be generated verbally as a whole group or as brainstorming in a small group.
Side coaching questions can help participants dig a little deeper and may include:
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Think about what family members or teachers say to you about how women or girls are supposed to behave.
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Think about moments when you have been corrected or told to do something a specific way because of your gender.
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Think about images you see in the media – from video games to advertising to movies to magazines and social media. How are these images promoting messages or directives to and about women?
After all lists have been generated, collect prompts on one piece of paper and make it visible.
Then guide the group to make connections between societal messages and the oppression of women.
Guiding questions are:
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Which messages on your list are internalized – things that you have been told and things you hear yourself accepting or believing to be true?
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Which messages are interpersonal – things you can imagine or hear someone telling you, whether it is a relative or even a stranger?
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Which messages are larger than you and relate to institutions of education, family roles, or the workplace? What messages on your list suggest where women belong or should be spending their time or are messages about how women are supposed to participate in our society?
Guiding Reflection:
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At what point did you struggle with this writing? At what points did it feel easy?
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What surprised you and what did you discover in this action?
All the prompts that students provided, and all the writing, you can use to generate text that can be used later so keep all of them, and post it on the wall. Or just post one paper that has all of it.
EXPLORE
8-COUNT MOVEMENT (30 minutes)
Source: ''Devising Critically Engaged Theater with Youth'' Megan Alrutz, Lynn Hoare
1. Ask participants to choose one idea from the ''In society, women are expected to'' list. Students can alternately respond to other prompts including:
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Choose one action people do daily that is specific to expectations from women;
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Choose one specific stereotype of a woman;
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Or an original prompt that accesses particular messages about expectations from women and their behavior.
2. Invite students to choose one specific activity/gesture that represents an answer to the prompt.
They can choose an activity/gesture independently, each student , or they can agree to choose the same one as a whole group.
Explain to students: Once you choose your specific activity, you are going to break that action into an 8-Count movement sequence. For example, if students choose – Being a woman means wearing lipstick they might break down an action into eight counts as follows:
Count 1: Take a cap of the lipstick
Count 2: Roll up lipstick
Count 3: Lean into the mirror
Count 4: Apply to the bottom lip
Count 5: Apply to the top lip
Count 6: Rub lips together
Count 7: Smack lips
Count 8: Smile in the mirror
3. Ask students to find their own small rehearsal space in the room, away from others. Encourage them to be specific and clear in each part of their action. Let them rehearse for five minutes.
4. Then, invite everyone to rehearse their 8-Count Movement simultaneously as part of a large group. Count to eight slowly so the whole group performs their sequences on the same count. Rehearse a few times as a large group, helping the students to repeat their 8-Count Movement four or five times in a row without a break or stop in between. You can rehearse this with music as well.
Guiding Reflection
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What did you see in these 8-Count Movements? Which actions do you relate to and why?
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What actions made you think more deeply about what society thinks about or dictates for women?
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When did you see all these movements performed together, what do you think about society's expectations of women?
REFLECT
IT MADE ME THINK (5 MINUTES)
Ask each student to reflect on their work and think of one word or a very short phrase that captures their opinion and completes the phrase ‘’it made me think.’’ The phrase can describe something that intrigued and inspired them during work or something that was thought-provoking or memorable. After they have had a moment to choose, students go around the circle and say their word or words, followed by the phrase ‘’It made me think’’.
Reflection:
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What did you notice about this activity?
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What ideas did you hear more than once in our reflection? Why do you think this is?
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Why is it important to think about and name our own thinking?
WE WANT TO HEAR FROM YOU!
All English language high school teachers and university teachers in language and literature programs across Bosnia and Herzegovina are kindly invited to pilot in their classrooms the Let’s Read foundational lesson plans on the book The House on Mango Street by Sandra Cisneros, and to submit this evaluation/feedback form with suggestions for improvement.